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They say time heals everything and in the case of award-winning author Alisa Valdes-Rodríguez, her 2011 holiday season will be much more pleasant than 2010. A year after going through a very public battle for the film rights of the popular THE DIRTY GIRLS SOCIAL CLUB, Valdes-Rodriguez announced this week on her blog that Encanto Productions, the company headed up by  Ann Lopez (George Lopez’s ex-wife), did not renew the novel’s rights.

Alisa Valdes-Rodríguez

As Valdes-Rodríguez writes:

Two weeks ago, the option expired. The production company had the choice to buy the rights forever, for next to nothing. To my great surprise, considering the bad blood among all the people involved, they did not. I’d half expected to get a check at midnight, just to put me “in my place” for objecting to what they’d done to my work. But they did not.

They gave me back the rights.

This was huge.

People close to me know that I had all but given up on ever seeing the rights again. But now, here I am, in full possession of them again, and much better prepared to move forward.

Happily, the story is still in great demand for the big and small screen. I’m fielding calls from big names on it. This time, I’m taking my time. This time, I’m doing all the homework that needs to be done before moving forward with anyone.

This time, we’ll be doing this my way, and it will be beautiful, and it will succeed.

I am grateful for the hardships and conflicts of the past year. I would never have learned so much without them. I am also grateful to the production company for doing the right thing and giving me my book back. It was a grand and gorgeous gesture, and one that won’t be forgotten. I suspect this year hasn’t been hard just for me, but also for the head of that company, who has gone through hell for her own reasons. I wish her well, and sincerely hope for blessings and happiness to come to her.

Things are moving quickly. I’ll keep you all updated. We’ve been waiting a long time for this to happen. Eight long years. But this time, it will.

Watch.

xo Alisa Valdes

 

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God bless @mskittyalvarez. Not only is she an amazing Twitter and Facebook friend (even though she went to Penn), she is one of the most positive angels who has entered my life.

Kitty is the real deal and she is one of the most smart and engaging online peeps in our universe. Today, Kitty came up with an AMAZING IDEA that will make the #LatinoLit community even better. This is what she tweeted out:

So, Kitty, we are SO IN! What book should be read first?

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Originally from Los Angeles, #LatinoLit Silvio Sirias is the true definition of the bilingual, bicultural author who weaves his words through many worlds. Sirias, whose novel MEET ME UNDER THE CEIBA won the 2007 Chicano/Latino Literary Prize for Best Novel, has written several novels based in Central America, a region that has influenced him even since he lived as an adolescent in Nicaragua. We had the chance to chat with Silvio about how he uses social media to promote his work and the advice he would give aspiring new writers.

 

Silvio Sirias

 

JRV: Has social media helped you promote your books and increase your book sales? What experiences have you had with social media?

Silvio Sirias: Social media—primarily Facebook and Twitter—played important roles during the virtual book tours of my two novels, BERNARDO AND THE VIRGIN (Northwestern University Press) and MEET ME UNDER THE CEIBA (Arte Público Press). Both Facebook and Twitter helped spread the word regarding the schedule and the host websites. With the assistance of Condor Book Tours—and I highly recommend authors sign-up with enthusiastic publicists, such as Nilki Benitez—our efforts translated into larger audiences and, of course, momentary spikes in sales.

Regarding my experiences in social media, I’m far more adept at attracting attention—positive, I hope—on Facebook. Twitter is still somewhat of a mystery to me, even though I have been participating for more than two years. I think this is because the discourse in Twitter is slightly encrypted, and the vast amount of useful information that travels over this medium overwhelms me. Nevertheless, I’ve met many kindred spirits on Twitter—a Latino and Latina literature niche-group, as you would say, Julio—and this alone has been worth the effort. What’s more, Twitter has helped educate me—and substantially—about the world of publishing.

JRV: Everyone is saying that the self-publishing movement will eventually become how every book is published. Will large publishing houses become extinct? Why or why not?

Silvio Sirias: I’m jumping on the self-publishing bandwagon myself with a collection of essays entitled LOVE MADE VISIBLE: ESSAYS AND REFLECTIONS ON WRITING, TEACHING, and OTHER DISTRACTIONS. The reason I’m going this route is because, although a fun read, I think, Love Made Visible would prove difficult to place with a traditional publisher. As a result, rather than spending months sending the manuscript around looking for a home, for this project self-publishing makes sense. I’m hoping that readers who have enjoyed my writings in the past will support me on this solo venture.

I don’t think, however, that the monumental surge in independent authors constitutes a death knell for traditional publishers. Undoubtedly, publishers were asleep at the wheel when the tidal wave hit them. But at the helm of the book industry are creative, quick-thinking people. After they recover from the shock they will redefine their place in the market and carry on. That said, though, the absolute dominance they had in the industry is already a thing of the past. The present situation in the publishing world, and the freedom it now allows authors, reminds me of the Spanish proverb: “En río revuelto, ganancia de pescadores” (There’s good fishing in troubled waters).

But the problem I foresee with self-publishing is that there will be an almost crushing amount of chaff. As practiced gatekeepers, traditional publishers have an advantage: their ability to choose what they consider to be wheat. (And in the major publishers’ view of the marketplace that means what sells, regardless of literary quality.)

JRV: What is the best advice you would give new authors about promoting your works and using social media? What works? What doesn’t?

Silvio Sirias: I bow to your expertise on this matter, Julio. I’d urge them to follow you on Twitter (@julito77). Other than that, I feel that the best writers can hope for is to make readers aware of their work. Convincing readers to make a purchase, that’s a different matter. What authors need to keep in mind is that in the developing world of social media one has to be persistent, astute, yet very, very judicious. Social media will help sell a few books, but only great writing will keep readers coming back.

To Become a Fan of Silvio on Facebook: Click here.

To Follow Silvio on Twitter: Click here.

 

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