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Archive for the ‘#LatinoLit’ Category


As a young 22-year-old editor for Houghton Mifflin Company in 1991, I had the pleasure to work with many incredible authors who were overlooked by the mainstream.

New Mexico’s Sabine Ulibarrí was one of those authors. The first story I ever edited was a short story by Ulibarrí called “Yo me llamo Antonio,” a fictional piece about a young boy named Antonio. His teachers wanted to call him Anthony or Tony, but this very proud little boy insisted that his name was Antonio.

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We ran the story for Celebremos la literatura, our Spanish Reading series, and the story has always resonated with me. And so did Ulibarrí, who died ten years ago this month in 2003. The following video provides an excellent overview of his works.

Gracias, Don Sabine, for your grace and talent. I have never forgotten the day when I first read your works.

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In this crazy world that is social media, you just keep doing and blogging and connecting and sharing. Since this blog was started in 2009, the goals were clear: to practice independent journalism, to write about the social media world of US Latinos, to celebrate #LatinoLit, to shout out the world about the great Fernando Varela (he is my brother, why wouldn’t I?), to share my writings, and to inform readers about the crazy topsy-turvy world of Puerto Rican politics. This is the world of this blog and it is a world that speaks to my world. In short, this blog is my personal world and I am humbled by all the people who have come into this world, all the people who have commented here (both the good and the bad), and all the people I have met and have become part of my familia.

Yesterday, I was greeted with some very cool news: a nomination for the inaugural Social Revolución event at SXSWi in Austin. To the angels who submitted the nomination (and I think I know who those angels were), thank you. GRACIAS MIL.

This whole world of Latino social media is bigger than any of us. Want to know why we are becoming a force? Because many of us started TOGETHER in 2008 and CONNECTED AUTHENTICALLY. We all shared the same vision. We all believed in the future, and more importantly: we all helped each other. When there was a blog someone wanted to share, we shared it. When someone had good news to post, we posted it. When people wanted their links tweeted, we tweeted. We are all in this together, and when we realize that each one of us can add our “little grain of sand” to the larger vision, we will become a powerhouse. The point is this: no one, no one is better than anyone else on the Internet. Once you have a page, a profile, a Twitter presence, etc., you are just as powerful as any other page on the Web. What you decide to do with that and how you want to present yourself is what matters.

My philosophy is a simple one: always be giving. Always be yourself. Always be authentic. Help people with no expectations. Do what you do for the right intentions and demand better. Use your blog, webpage, social media profiles to create real relationships and connect with like-minded people. Share your opinions respectfully and defend yourself when you have to with grace. When you make mistakes, just say you goofed. Be humble and admit your errors. Try to improve the next time. But never ever get caught up in the medium or in the numbers. If you don’t like something, say it. If you love something, say it too! I have said that from day 1 in 2008 and it still resonates with me every day.

Peace to all. From the bottom of my heart, thank you for supporting this blog and the Rebels. Let me know how I can help YOU in any way. You know where to find me.

Julito77

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We all have stories, some stories more raw and brutal than others. In his new graphic novel based on his book From the Barrio to the Board Room, author Robert Rentería has a story of struggle and success that should be shared to anyone who believes in the principles of hard work, education, and determination. Mi Barrio, Rentería’s new graphic novel published by SmarterComics, achieves just that—a testament to Rentería’s life story—yet fails on its delivery to the younger readers Renetería is targeting.

Yet before Rentería’s story rambles into tedium (not the actual events, just how the story was told), the beginning of the graphic novel has promise. The first three pages set Rentería’s early childhood in East Los Angeles during the 60s. The prose and images are simple, yet powerful. The premise and scenery have been brilliantly introduced, and the reader has been prepared to dive into the rest of Rentería’s tale.

Unfortunately, the rest of the story’s arc misses the mark.

Author Robert Rentería

Almost immediately drug use tales appear and later stories of drunken behavior and sex begin to surface. The taboos are boundless, that most school districts in California—a key market for this type of book—couldn’t even stock the graphic novel in their libraries, let alone distribute to students. Rentería does have a curriculum for schools, yet we would think having a book being read in some schools would cause problems.

Telling real stories about struggle and success can be inspiring. However, the story’s impact loses it punch rather quickly with scenes that rambles, prose that tells and not shows, information that is lost in and limited the graphic novel, and black-and-white illustrations that lack edge and pizazz.

We feel that even though the graphic novel just doesn’t deliver (it feels to us like it needed about 20-30 pages edited for quicker pacing and storytelling), Rentería’s story is an amazing one. Maybe he should explore a video or performance art piece that could make his message—a rather important one—more alive.

Like a 30-second YouTube video, YA authors and graphic novelists need to grab their readers instantly. Rentería’s beginning indeed delivers, but that powerful and honest voice that starts the graphic novel gets muddled and muted throughout the rest of the story. The result is a flat didactic story that although true, will ring hollow due to lack of execution.

We hope that the schools that use this graphic novel are actually benefitting it and enjoying it. Perhaps they can tell us that we were wrong about Mi Barrio. We would be cool with that, knowing that one of the hardest things in the world to do in writing is to write for YA readers.

We wish Rentería all the luck in the world. His story is a MUST HEAR. Let’s hope his passion proves us wrong about Mi Barrio.

FTC Disclosure: We received this book free from the publisher as part of a Condor Book Tour. We were not required to write a positive review. The opinions we have expressed are our own. 

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