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They say time heals everything and in the case of award-winning author Alisa Valdes-Rodríguez, her 2011 holiday season will be much more pleasant than 2010. A year after going through a very public battle for the film rights of the popular THE DIRTY GIRLS SOCIAL CLUB, Valdes-Rodriguez announced this week on her blog that Encanto Productions, the company headed up by  Ann Lopez (George Lopez’s ex-wife), did not renew the novel’s rights.

Alisa Valdes-Rodríguez

As Valdes-Rodríguez writes:

Two weeks ago, the option expired. The production company had the choice to buy the rights forever, for next to nothing. To my great surprise, considering the bad blood among all the people involved, they did not. I’d half expected to get a check at midnight, just to put me “in my place” for objecting to what they’d done to my work. But they did not.

They gave me back the rights.

This was huge.

People close to me know that I had all but given up on ever seeing the rights again. But now, here I am, in full possession of them again, and much better prepared to move forward.

Happily, the story is still in great demand for the big and small screen. I’m fielding calls from big names on it. This time, I’m taking my time. This time, I’m doing all the homework that needs to be done before moving forward with anyone.

This time, we’ll be doing this my way, and it will be beautiful, and it will succeed.

I am grateful for the hardships and conflicts of the past year. I would never have learned so much without them. I am also grateful to the production company for doing the right thing and giving me my book back. It was a grand and gorgeous gesture, and one that won’t be forgotten. I suspect this year hasn’t been hard just for me, but also for the head of that company, who has gone through hell for her own reasons. I wish her well, and sincerely hope for blessings and happiness to come to her.

Things are moving quickly. I’ll keep you all updated. We’ve been waiting a long time for this to happen. Eight long years. But this time, it will.

Watch.

xo Alisa Valdes

 

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While covering the social media saga of author Alisa Valdes-Rodriguez, several of our readers had emailed us to see if we could find more information about famed Hollywood attorney Marty Singer, who was hired by Encanto Productions’ Ann Lopez to ensure that Valdes-Rodriguez cease from posting her opinions and thoughts on social media about the TV adaptation of her book, THE DIRTY GIRLS SOCIAL CLUB.

According to its website, Singer’s firm, Lavely & Singer, is “one of the world’s premier talent-side entertainment litigation firms.” The profile on its website continues with this quote:

First, we represent clients against the tabloids and other media and internet outlets in disputes which arise prior to, as well as after, the publication of articles which defame the clients or invade their privacy. We also police the manner in which the names and likenesses of our clients are commercially exploited throughout the world. Second, we represent clients in the resolution and litigation of a broad range of entertainment industry disputes including copyright and other intellectual property disputes, contract breaches, and business torts.

It is clear that Brooklyn native Singer, nicknamed “The Mad Dog,” knows his stuff and understands that in the entertainment business, you got to be tough. His actions in representing Ann Lopez resulted in a rather detailed retraction and correction by Valdes-Rodriguez regarding her social media fight with Lopez. Occasionally, Valdes-Rodriguez has tweeted and posted some updates about her situation, but it is no longer as detailed or frequent, when compared to the period between December 23, 2010 until January 6, 2011.

Singer’s web page also includes a section called RAGING BULLS, where the following excerpts and quotes a 2000 Los Angeles Magazine article are included:

  • “What these lawyers possess is the proven ability to go all the way, to a jury trial if necessary, and play by whatever rules are laid down to save their client’s freedom or fortune in a civil or criminal matter. On the other hand, when one of them makes a phone call or sends a demand letter, arguments are often settled quickly … and quietly.”
  • “I’ll make one call to a publicist to check out a tip,” growls New York Post Page Six editor Richard Johnson, “and pretty soon I get a hand-delivered letter from Singer threatening all sorts of disasters and financial damages.”
  • “Marty is a heavy hitter, but he’s reasonable,” claims [National Enquirer Editor Steve] Coz in a careful tone. “He’s one of the few that ‘gets it’–his clients need the press every bit as much as the press needs his clients.”

As with any lawyer, Singer has his web critics, and some of his letters have been publicly shared online. Here are some of those links.

Yes, Singer is the real deal when it comes to a lawyer who will fight for a client. Which leads us to this question: What about the countless of social media accounts on Twitter and Facebook who shared their unfiltered opinions about Valdes-Rodriguez and Lopez? We saw tweets that used profanity to insult Lopez, Encanto and NBC from social media accounts who expressed their anger and passion about the story. Will Singer go after them as well? And if so, what recourse does he have to tell other social media accounts to stop their expression of opinion and free speech? We are in interesting times, when news and opinion flows as quick as a WIFI connection. Will printed hard copy legal letters still have its effect?

As you know, we declared Valdes-Rodriguez a “social media winner,” which is quite different from saying that she won her battle with Lopez. Valdes-Rodriguez was savvy and understood that if her message got out in social media, it would take a life of its own. We also believe that Lopez could have used social media to answer the allegations instead of doing business the old-fashioned Hollywood way. Sure, Singer has very likely won the legal war, but the little mini-battles that happened in the social media space were all won by Valdes-Rodriguez.

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The frenzy around the social media saga of author Alisa Valdes-Rodriguez and her fight with NBC and Encanto Productions has died down considerably, but it still hasn’t stopped Valdes-Rodrigiez from posting about the situation. Valdes-Rodriguez, who is now finding initial success with her self-published e-book, ALL THAT GLITTERS, recently posted the following on her public Facebook site:

As Valdes-Rodriguez states on her post: “NBC is launching some very good shows and ordering seemingly innovative pilots so far this season. This is comforting to me. Perhaps they will demand that Encanto make the draft pilot script I read Must Less Sucky and Way Less Full of Stereotypes and Generally Smarter and Funnier with Sexy Not The Same As Slutty-n-Dumb. That would be nice. Fingers crossed.”

Valdes-Rodriguez is referring the TV pilot adaptation of her best-selling book THE DIRTY GIRLS SOCIAL CLUB that was optioned to Ann Lopez’s Encanto Productions and was being pitched to NBC. Her social media actions from December 23, 2010 until January 8, 2011 resulted in a rather lengthy public apology that retracted most of her statements directed at Lopez, producer Lynette Ramirez, writer Luisa Leschin, Encanto, NBC, and Creative Artists Agency.

During this time period, the majority of comments in Twitter, Facebook, this blog and other outlets were generally supportive of Valdes-Rodriguez. However, critics predicted that her social media antics were unprofessional and would spell doom for the author’s career. Apparently, signs of career suicide aren’t evident at all as Valdes-Rodriguez indicates in this Facebook post:

Frank Weinmann founded The Literary Group International in 1986 and is considered by many to be one of the top agencies in the world. In the meantime, Valdes-Rodriguez continues to self-publish her latest works, including ALL THAT GLITTERS. Her fourth installment of THE DIRTY GIRLS SOCIAL CLUB is scheduled for weekly installments e-chapters starting in February.

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